VFX and 3D portfolio website example
Marco Mori is a creative technologist based in Germany with a decade of senior 3D and VFX work. His site splits into two distinct practices: Houdini-driven simulation and character effects for studios and brands on one side, and custom software and AI systems for businesses on the other. Commercial credits on the VFX side include Adidas, Puma and Samsung.
For anyone building a 3D or motion design portfolio, the VFX side of this site is a useful reference point. It shows how high-end render work can carry a page when the layout stays minimal and the portfolio is organized by client name rather than skill category.
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Inside the Marco Mori website design
The site opens as a full-screen interactive gateway on a near-black background (theme color #0c0509). The page is split down the middle by a moveable seam, with VFX and 3D on one side and AI and Software on the other. There are no carousels, no long scroll and no secondary navigation: just a single choice that routes each visitor to the right body of work.
The dark background runs across both halves, giving the whole site a consistent, studio-level tone. On the VFX side, high-contrast renders and simulation sequences take over as the primary content, letting the quality of the work make the case for the designer without additional framing.
Typography is clean and minimal throughout. A single headline and a short tagline sit above the split, keeping the entry experience fast. Client names and project labels do the organizational work on the portfolio side, so a visitor can read the breadth of the practice in seconds.
The creative technologist behind marcomori.net
Marco Mori has spent ten years in senior 3D and VFX roles, working in Houdini on simulation, character effects and product visualization for studios and commercial brands. Adidas, Puma and Samsung are among the clients whose work appears on the VFX side of his practice.
Alongside that, he builds custom software and AI systems for small businesses, agencies and studios. Both practices are fully developed and running in production with real clients, which is why the site treats them as two equal halves rather than tucking one under a services tab.
The split-screen structure is itself a design decision: it makes the dual nature of the practice visible from the first moment a visitor arrives and removes the friction of parsing a long, mixed homepage.
Who this website is a good example for
Freelance VFX artists and motion designers. If you do Houdini simulation, character effects or product visualization, this site shows how to present commercial-grade work with minimal framing. Organizing the portfolio by client and credit type rather than by software or skill makes it fast to read for studios and brand teams evaluating potential collaborators.
Creatives with two distinct practices. If you work across more than one discipline, from VFX to software development or design to strategy, a split-screen gateway lets visitors self-select without a long homepage trying to cover everything at once. This structure works especially well when each practice serves a different client base.
Solo creatives positioning as a studio. The architecture and finish of this site signal a serious professional practice. The clean domain, the clear separation of services and the quality of the VFX work all communicate that this is a specialist you hire, not a generalist you find on a platform.
3D and VFX portfolio website design ideas
Use a split layout if you have two distinct offerings. A divided homepage works when your two practices genuinely serve different audiences. It removes the need to compress everything into a single pitch and gives each side room to speak clearly. The interactive seam on this site makes the split feel designed rather than like a compromise.
Use a near-black background to frame render and simulation work. Dark backgrounds let high-contrast 3D renders and animated sequences read at full intensity. This site's near-black keeps the layout neutral so the visual weight stays on the work itself rather than the frame around it.
Organize the portfolio by client or credit, not by tool. Naming sections after recognizable clients like Adidas, Samsung and Puma signals experience and scale at a glance. A visitor can immediately orient themselves to the type of work without reading long capability descriptions.
Make the first screen a decision, not a scroll. Instead of a long homepage that tries to cover everything, this site asks visitors to choose a side. That structure gets the right audience to the right content faster and removes the cognitive load of parsing a mixed portfolio.
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